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Recitative is a dialogue between a (usually) solo voice and an instrument or instruments. Usually the voice and instrument (s) alternate, or share a chord while one continues. In this way the speech-like rhythm of the singer does not need to be coordinated and synchronized with the instrument (s). Recitative cadences: The dialog ends with the ...
Free time (music) Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature ...
Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme.Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century.
continuo. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.
Renaissance music →. v. t. e. Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Rhythm (e.g. ritmo di # battute meaning a rhythm of # measures) ritornello A recurring passage rolled chord See Arpeggio rondo A musical form in which a certain section returns repeatedly, interspersed with other sections: ABACA is a typical structure or ABACABA roulade (Fr.) A rolling (i.e. a florid vocal phrase) rubato
During both the Baroque and Classical periods, recitative could appear in two basic forms, each of which was accompanied by a different instrumental ensemble: secco (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by basso continuo, which was usually a harpsichord and a cello; or accompagnato (also ...
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger ...