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The Laguna Copperplate Inscription (Filipino: Inskripsyón sa binatbát na tansô ng Laguna) is an official acquittance (debt relief) certificate inscribed onto a copper plate in the Shaka year 822 (Gregorian A.D. 900). It is the earliest-known, extant, calendar-dated document found within the Philippines. [1]
Typically, each sheet had a hole through which a string could pass, and using these holes, the sheets were bound together like a book by tying them together with a string. Such palm leaf texts typically had a lifespan of between a few decades and roughly 600 years before they started to rot due to moisture, insect activity, mould, and fragility.
An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that ...
To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving ink only in the engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it). The paper picks up the ink from the engraved lines, making a print.
The recorded history of the Philippines between 900 and 1565 begins with the creation of the Laguna Copperplate Inscription in 900 and ends with the beginning of Spanish colonization in 1565. The inscription records its date of creation in 822 Saka (900 CE). The discovery of this document marks the end of the prehistory of the Philippines at ...
The history of printing starts as early as 3000 BCE, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing ...
Intaglio (/ ɪnˈtæli.oʊ, - ˈtɑːli -/ in-TAL-ee-oh, -TAH-lee-; [1] Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. [2] It is the direct opposite of a relief print where the parts of the matrix that make the image ...
Material: vellum: Size: ≈ 23.5 cm × 16.2 cm × 5 cm (9.3 in × 6.4 in × 2.0 in) Format: One column in the page body, with slightly indented right margin and with paragraph divisions, and often with stars in the left margin; [12] the rest of the manuscript appears in the form of graphics (i.e. diagrams or markings for certain parts related to illustrations), containing some foldable parts