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Crossing the Bar. " Crossing the Bar " is an 1889 poem by Alfred, Lord Tennyson. It is considered that Tennyson wrote it in elegy; the narrator uses an extended metaphor to compare death with crossing the "sandbar" between the river of life, with its outgoing "flood", and the ocean that lies beyond death, the "boundless deep", to which we return.
Intersecting chords theorem. In Euclidean geometry, the intersecting chords theorem, or just the chord theorem, is a statement that describes a relation of the four line segments created by two intersecting chords within a circle. It states that the products of the lengths of the line segments on each chord are equal.
Barre chord. A barre chord ("A♯ minor"), with the index finger used to bar the strings. A, E major barre chord, then open E major chord. Play open E-major chord arpeggio, then barre, then open ⓘ. In music, a barre chord (also spelled bar chord) is a type of chord on a guitar or other stringed instrument played by using one finger to press ...
Biography. Walker was born in New York to a Quaker family and grew up in New Canaan, Connecticut. She began her first efforts at composition at an early age and went on to receive BA, MM and DMA degrees in Music Composition from Brown University and the Hartt School of Music, where she studied under Arnold Franchetti.
The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
Nashville Number System. The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and ...
A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]).