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  2. Composing stick - Wikipedia

    en.wikipedia.org/wiki/Composing_stick

    Composing stick. A composing stick loaded with metal movable type, held over a lower case with larger boxes for more common minuscule letters: the upper case holds capital letters. In letterpress printing and typesetting, a composing stick is a tray-like tool used to assemble pieces of metal type into words and lines, which are then transferred ...

  3. Æ - Wikipedia

    en.wikipedia.org/wiki/Æ

    Æ in Helvetica and Bodoni. Æ alone and in context. Æ (lowercase: æ) is a character formed from the letters a and e, originally a ligature representing the Latin diphthong ae. It has been promoted to the status of a letter in some languages, including Danish, Norwegian, Icelandic, and Faroese.

  4. Greek alphabet - Wikipedia

    en.wikipedia.org/wiki/Greek_alphabet

    The uppercase and lowercase forms of the 24 letters are: Α α, Β β, Γ γ, Δ δ, Ε ε, Ζ ζ, Η η, Θ θ, Ι ι, Κ κ, Λ λ, Μ μ, Ν ν, Ξ ξ, Ο ο, Π π, Ρ ρ, Σ σ/ς, Τ τ, Υ υ, Φ φ, Χ χ, Ψ ψ, Ω ω. The Greek alphabet is the ancestor of the Latin and Cyrillic scripts. [6]

  5. Russian alphabet - Wikipedia

    en.wikipedia.org/wiki/Russian_alphabet

    The Russian alphabet (ру́сский алфави́т, russkiy alfavit, [ a ] or ру́сская а́збука, russkaya azbuka, [ b ] more traditionally) is the script used to write the Russian language. It comes from the Cyrillic script, which was devised in the 9th century for the first Slavic literary language, Old Slavonic.

  6. Palatal hook - Wikipedia

    en.wikipedia.org/wiki/Palatal_hook

    N with palatal hook, followed by eng, a palatal nasal and a retroflex nasal for comparison. The palatal hook ( ̡) is a type of hook diacritic formerly used in the International Phonetic Alphabet to represent palatalized and prevelar consonants. [1] It is a small, leftwards-facing hook joined to the bottom-right side of a letter, and is ...

  7. Typeface anatomy - Wikipedia

    en.wikipedia.org/wiki/Typeface_anatomy

    Typeface anatomy describes the graphic elements that make up letters in a typeface. [1][2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller.

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