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Live at the Hollywood Bowl is the third official live album by the American rock band the Doors, released in May 1987 by Elektra Records. The concert was recorded on July 5, 1968, at the Hollywood Bowl in Los Angeles, the Doors' hometown. A VHS video of the concert was also released, containing 14 songs.
Paris, Leslie. "Happily Ever After: Free to Be ... You and Me, Second-Wave Feminism, and 1970s American Children's Culture". pp. 519–538. Rotskoff, Lori, and Laura L. Lovett. When We Were Free to Be... Looking Back at a Children's Classic and the Difference It Made. Chapel Hill: University of North Carolina Press, 2012. ISBN 978-0-807-83755-9.
The Beatles at the Hollywood Bowl, a 1977 album by the Beatles, recorded in 1964 and 1965, re-released in 2016 as Live at the Hollywood Bowl; Monty Python Live at the Hollywood Bowl, a 1982 concert film by the Monty Python team; Live at the Hollywood Bowl (The Doors album), an album released in 1987 from the Doors' performance on July 5, 1968
"When the Music's Over" – excerpt from Hollywood Bowl, July 5, 1968; The End" – excerpt from opening titles of Apocalypse Now "Touch Me" – performance from The Smothers Brothers Comedy Hour December 15, 1968 "Moonlight Drive" – excerpt from The Jonathan Winters Show, December 27, 1967 "The Changeling" – excerpt of song from album L.A ...
Moodswing´s 1992 album Moodfood on the instrumental track "Skinthieves" Kate Bush's 1993 album The Red Shoes; Jimi Hendrix's song "Manic Depression" from the 1993 album Stone Free: A Tribute to Jimi Hendrix with Seal; Duff Mckagan's 1993 solo album Believe in Me on the tracks "(Fucked Up) Beyond Belief" and "Swamp Song" Seal's 1994 album Seal
The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Boston, Philadelphia, Pittsburgh, Detroit, and Copenhagen. [1] In Concert includes tracks previously released on Absolutely Live (1970), Alive, She Cried (1983), and Live at the Hollywood Bowl (1987) plus a recording of "The End". [1]
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Boot Yer Butt!: The Doors Bootlegs is a four-disc box set released by Rhino/Elektra Records for the band the Doors, featuring songs that were recorded as bootlegs during concerts of the Doors ranging from the years 1967 to 1970.