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This is a list of compositions by Alan Hovhaness (1911–2000), ordered by opus number. [1] [2] Composition dates shown in Roman font are as given at Hovhaness.com, [3] while conflicting dates from Kunze [4] or New Grove [5] are shown in italics.
Shaming of the Sun, sometimes mislabeled as Shaming the Sun, is the sixth studio album by the Indigo Girls, released on April 29, 1997. [ 7 ] It was the duo's highest-charting album in the U.S., peaking at number 7 on the Billboard 200 .
Rudolf Schenker – acoustic guitar; Matthias Jabs – acoustic guitar, 12-string acoustic guitar; Ralph Rieckermann – bass, contrabass; James Kottak – drums, backing vocals; Additional musicians. Christian Kolonovits – piano and Hammond organ; Johan Daansen – acoustic guitar; Mario Argandoña – percussion; Ariana Arcu – cello
The physics of the viola are the same as that of the violin, and the construction and acoustics of the cello and the double bass are similar. [ 70 ] The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ...
Acoustic Volume 2 is the second split album by punk rock singers Joey Cape and Tony Sly, released on June 18, 2012, through Fat Wreck Chords, the sequel to their 2004 album Acoustic. [ 2 ] [ 3 ] Like the first album, the album features 12 songs, 10 of which are acoustic renditions of songs by the singers' respective bands – Lagwagon and No ...
The Sonata for Violin and Cello (French: Sonate pour violon et violoncelle) is a composition written by Maurice Ravel from 1920 to 1922. He dedicated it to Claude Debussy, who had died in 1918. [1] It premiered on 6 April 1922 with Hélène Jourdan-Morhange playing the violin and Maurice Maréchal the cello. It is in the key of A minor, with ...
The third movement, in B-flat minor, is a passacaglia, based around a repeating eight-bar theme of sustained semibreve chords in the piano, tonally unstable in character. [26] Against this background, the violin and cello, playing in canon, alternate slow melodic lines.
In 2006, The Washington Post characterized Salerno-Sonnenberg as a "fiercely original, deeply emotive violinist". Over the 25 years she had already been concertizing, "her playing, always mercurial and exciting but occasionally a little scattershot, has become positively reliable, both musically and technically, without losing any of the wild electricity that always set her apart."
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