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They went from being a mostly rural population to one that was mostly urban. "The migration of African Americans from the rural south to the urban north became a mass movement." [16] The Great Migration radically transformed Chicago, both politically and culturally. [17] From 1910 to 1940, most African Americans who migrated north were from ...
African-American women and African-American gay and lesbian women have also made advances directing films, in Radha Blank's comic The 40-Year-Old Version (2020), Ava DuVernay's fanciful rendition of the children's classic A Wrinkle in Time [1] [59] or Angela Robinson's short film D.E.B.S. (2003) turned feature-length adaptation in 2004.
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Many race films were produced by white-owned film companies outside the Hollywood-centered American film industry, such as Million Dollar Productions in the 1930s and Toddy Pictures in the 1940s. One of the earliest surviving examples of a black cast film aimed at a black audience is A Fool and His Money (1912) , directed by French emigree ...
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."
The movie-jukebox idea developed several imitations and variations of the technical design; the most successful of these imitators were the Techniprocess company (managed by Rudy Vallee) and the Featurettes company, which used original novelty songs and usually unknown talent (17-year-old Gwen Verdon appears in a couple of the Featurettes as "Gwen Verdun").
The Regal Theater was a night club, theater, and music venue, popular among African Americans, located in the Bronzeville neighborhood in Chicago, Illinois. [1] The theater was designed by Edward Eichenbaum, [2] and opened in February 1928. It closed in 1968 and was demolished in 1973.
Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken (shortly after moving to Chicago), a husband-and-wife team who used their initials for the label's name. [19]