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Tammy Garcia comes from a long line of Santa Clara Pueblo artists. Her great-great-great-grandmother Sara Fina Tafoya was a potter. [ 2 ] Her great-great aunt, Margaret Tafoya , was a noted potter of the early 20th century, along with her sister Christina Naranjo. [ 1 ]
Santa Clara Puebloans making pottery in 1916. The modern period of pueblo pottery began in about 1900, after a stale period in the 1800s, caused by loss of Indigenous land to non-indigenous settlers, and the trend within government-run boarding schools to condition Native peoples to be more like whites and to abandon their traditional ways ...
After the Pueblo Revolt in 1680 the people of San Marcos joined the Navajo and Apache in refugee communities in Potrero Viejo. The Keresan inhabitants fled to Acoma pueblo, and others to Hopi. Sandia: Tiwa Albuquerque: An active pueblo that is home of one of the 21 federally recognized Pueblos. Santa Ana: Keres
Vera Chino Ely (born June 27, 1943) is a Native American potter from Acoma Pueblo, New Mexico. She is the youngest daughter of Marie Z. Chino, who was also a potter. Vera learned from her mother. [1] In the late 1970s she worked with her mother doing fine-line painting on some of her pots.
Garcia was born on the Acoma Pueblo in New Mexico, and is one of nine children born to Acoma potter and matriarch Lucy M. Lewis, who taught many of her children the traditional pottery-making process rooted in their ancient tradition, [3] including potters Anne Lewis Hansen, Mary Lewis Garcia, Emma Lewis Mitchell, Drew Lewis, and Carmel Lewis.
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico.Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s.
Lewis' daughter, Dolores Lewis Garcia, once noted: "My mother, Lucy M. Lewis, began making pottery at about age seven and attracted public attention for her work in the 1950s...Our family would buy books to look up the old pottery designs and Dr. Kenneth M. Chapman from the Museum of New Mexico suggested to us to use the Mimbres designs and they have become very popular for us today.
Biscuit A bowl. The Rio Grande white wares comprise multiple pottery traditions of the prehistoric Puebloan peoples of New Mexico. About AD 750, the beginning of the Pueblo I Era, after adhering to a different and widespread regional ceramic tradition (the Cibola White Ware tradition) for generations, potters of the Rio Grande region of New Mexico began developing distinctly local varieties of ...
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