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Katie Gliddon was the model for In an Alcove (1902) by her relative and fellow-suffragette Helen Margaret Spanton. Gliddon was born in Twickenham in Middlesex in 1883, the daughter of Margaret Martha née Lelean (1860–1941) and Aurelius James Louis Gliddon (1857–1929), a minister for the United Reformed Church (1882–84) and a homeopathist. [1]
Figure in a Room by Frank Weston Benson, 1912, oil on canvas - New Britain Museum of American Art Interior, oil 1912, copy Benson's Figure in a Room , a 1912 realistic oil painting of a woman standing behind a small table in a room, was involved in a controversy that surfaced long after the death of the artist. [ 28 ]
The Suffragette was a newspaper associated with the women's suffrage movement in the United Kingdom, as "the Official Organ of the Women’s Social and Political Union" (WSPU). It replaced the previous journal of the organization, Vote for Women, in 1912, and its name changed to Britannia after the outbreak of World War I. [1]
Cover of Der Blaue Reiter Almanac. January 5 (Old Style December 23, 1911) – Moscow Art Theatre production of Hamlet, designed by Edward Gordon Craig, opens.; April – Egon Schiele is arrested in Neulengbach for seducing and abducting a minor; these charges are dropped but he is imprisoned for 21 days for exhibiting erotic drawings in a place accessible to children (his studio).
Florence Howell Barkley, Landscape over the City, 1910-1911 Marion H. Beckett, Portrait of Mrs. Eduard J. Steichen Mary Cassatt, Mère et enfant (Reine Lefebre and Margot before a Window), c.1902 Katherine Sophie Dreier, The Blue Bowl, 1911 Katherine Sophie Dreier, Landscape with Figures in Woods or The Avenue, Holland, [2] ca. 1911–12.
Artists "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplyfying this emerging type through their own lives." In the late 19th century and early 20th century about 88% of the subscribers of 11,000 magazines and periodicals were women.
1911, La Toilette des jeunes filles (Die Jungen Damen), black and white photograph. Exhibited at the 1913 Armory Show , New York, Chicago and Boston 1912, Femme à l'éventail (Woman with a Fan) , black and white photograph published in Albert Gleizes , Jean Metzinger , Du "Cubisme" , Edition Figuière, Paris, 1912
What a woman may be and yet not have the vote, created by the Suffrage Atelier. Suffrage Atelier was an artists' collective campaigning for women's suffrage in England. It was founded in February 1909 by Laurence Housman, Clemence Housman [1] and Alfred Pearse. [2]