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The March 27, 1981 performance in Montreal was recorded for the band's live album, Exit... Stage Left and its accompanying video . [ 2 ] [ 3 ] Each show was estimated to have costed $40,000 which featured back-projected film, pyro and dry ice. 905,000 fans had attended the shows overall on tour, with the band making an estimate of $4 million by ...
[2] [9] The tour was to include support slots with REO Speedwagon, Tom Petty and Hall & Oates as well as their own headlining shows. [2] [5] In hindsight this was Moving Pictures' best opportunity to enter the US market, but it was ruined. [4] In October 1983 their second album, Matinee, also produced by Fisher, was released.
It documents a live concert performance by the band on their 1981 Moving Pictures tour. In October 1981, the band released an audio album of the same name of the same performance at the Montreal Forum, in Montreal, Quebec on vinyl LP, audiocassette, 8-track cartridge and (later) compact disc. The video has a different track list from the album ...
In the UK, "Vital Signs" was chosen as the single from Moving Pictures. "Tom Sawyer" is one of the most played songs on classic rock radio in the United States, [ 10 ] is the most played Canadian song from before 1988 by Canadian rock radio stations during the Neilson BDS Era (which started in 1995), [ 11 ] [ failed verification ] and is the ...
Moving Pictures Tour; O. October Tour; R. The River Tour; The Rolling Stones American Tour 1981; S. ... The Wall Tour (1980–1981) The Who Tour 1981; World Wide ...
The remaining three sides were recorded during the subsequent tour of their eighth album, Moving Pictures. After the 1981 tour, the band retreated to Le Studio in Morin Heights in Quebec, Canada to edit and mix the recordings they had made on the two tours, which Neil Peart noted totalled over 50 reels of two-inch tape. [12]
It all made one thing clear: After more than 175 years of photography, freezing a moment in time for posterity remains as powerful as recounting it in video — and, sometimes, even more so.
The song's lyrics tell a story set in a future in which many classes of vehicles have been banned by a "Motor Law." The narrator's uncle has kept one of these now-illegal vehicles (the titular red Barchetta sports car) in pristine condition for roughly 50 years and is hiding it at his secret country home, which had been a farm before the Motor Law was enacted.