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The On-line Guitar Archive (OLGA) was the first Internet library of guitar and bass tablature, or "tabs". Born from a collection of guitarist internet-forum archives, it was a useful resource for musicians of all genres for over a decade.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South.As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, [1] [2] leading to what is considered "classic" rock and roll. [3]
Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
In 2001, he played guitar, dobro, mandolin, and banjo on Al Beasley's A Rainbow in the Clouds album, recorded live at the Kerr Cultural Center in Scottsdale, Arizona. He was a featured guitarist on the Exotic Guitars series of albums on the Ranwood Records label.
Allsup moved to Los Angeles, played with local bands, and did session work, including songwriting credits for The Ventures "Bluer Than Blue", "Guitar Twist", and "Opus Twist". Allsup is known to be playing the lead guitar for these tunes on The Ventures albums The Colorful Ventures and Twist With The Ventures . [ 7 ]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Charlie Feathers studied and recorded several songs with Junior Kimbrough, whom he called "the beginning and end of all music". [7] His childhood influences were reflected in his later music of the 1970s and 1980s, which had an easy-paced, sometimes sinister, country-blues tempo, as opposed to the frenetic fast-paced style favored by some of his rockabilly colleagues of the 1950s.