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Francesco Borromini (/ ˌ b ɒr ə ˈ m iː n i /, [1] Italian: [franˈtʃesko borroˈmiːni]), byname of Francesco Castelli (Italian: [kaˈstɛlli]; 25 September 1599 – 2 August 1667), [2] was an Italian architect born in the modern Swiss canton of Ticino [3] who, with his contemporaries Gian Lorenzo Bernini and Pietro da Cortona, was a leading figure in the emergence of Roman Baroque ...
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Francesco Borromini offered to complete the commission free of charge in order to start his career as a solo architect. [ 2 ] The monastic buildings and the cloister were completed first, after which construction of the church took place during the period 1638–1641; in 1646 it was dedicated to Saint Charles Borromeo .
The Quattro Fontane [1] (the Four Fountains) is an ensemble of four Late Renaissance fountains located at the intersection of Via delle Quattro Fontane and Via del Quirinale in Rome. They were commissioned by Pope Sixtus V and built at the direction of Muzio Mattei , and were installed between 1588 and 1593.
The facade of the oratory (1720 engraving) The turret with a clock, by Borromini. The Oratorio dei Filippini (Oratory of Saint Philip Neri) is a building located in Rome and erected between 1637 and 1650 under the supervision of architect Francesco Borromini - in his distinctive style.
The facade made by Borromini. The facade over the Piazza di Spagna is by Bernini. A plaque above the doorway displays the coat of arms of Urban VIII, with Barbarini bees, Papal tiara and keys. [3] The façade facing via di Propaganda, that Borromini completed in 1662 is a masterpiece of Baroque architecture. [1]
Sant'Ivo alla Sapienza: Francesco Borromini. Bernini's main rival in Rome was Francesco Borromini, known for breaking away from classical styles. Seen as revolutionary, Borromini rejected the human-centered designs of the 16th century, opting instead for complex geometric shapes.
Some of Borromini’s work was lost in the nineteenth century development of Lungotevere, the embankment and road between the Tiber and the buildings which overlook it, but parts remain. The surviving parts of Borromini’s work include the façade to the Via Giulia, the Belvedere overlooking the Tiber and the decorative work in several rooms. [2]