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Halia was a daughter of Thalassa (the personification of the sea), and sister to the Telchines; it is not clear who her father was, if she had one at all. [3]The sea-god Poseidon fell in love with Halia, and fathered six sons and one daughter, Rhodos, on her, [4] who later became the wife of the sun-god Helios and the one after whom the island of Rhodes was named.
1st-century BC statue connected to the cult of Euripius Poseidon, Chalcis. In Greek mythology, Arethusa (/ ˌ ær ɪ ˈ θj uː z ə /; Ancient Greek: Ἀρέθουσα, romanized: Aréthousa) is a minor figure who became a lover of the sea-god Poseidon, before undergoing a transformation at the hands of Hera during a lost episode of Greek myth.
Poseidon (/ p ə ˈ s aɪ d ən, p ɒ-, p oʊ-/; [1] Ancient Greek: Ποσειδῶν) is one of the twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses. [2] He was the protector of seafarers and the guardian of many Hellenic cities and colonies.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
This love term has to do with spirituality, and originates in the seventh or eighth century B.C.E., when it was mostly used by Christian authors to describe the love among brothers of the faith ...
In ancient Greek mythology, Amphitrite (/ æ m f ɪ ˈ t r aɪ t iː /; Ancient Greek: Ἀμφιτρίτη, romanized: Amphitrítē) was the goddess of the sea, the queen of the sea, and her consort is Poseidon.
In Greek and Roman mythology, Corone (Ancient Greek: Κορώνη, romanized: Korṓnē, lit. 'crow' [1] pronounced [korɔ̌ːnɛː]) is a young woman who attracted the attention of Poseidon, the god of the sea, and was saved by Athena, the goddess of wisdom. She was a princess and the daughter of Coronaeus.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.