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Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters , adapted the song and recorded their own versions.
Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues music is characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times.
Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians.
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
[22] Page himself acknowledged the influence of Wellman Braud, who may have been the first bassist to actually record the "walking bass" technique on Washington Wobble. [12] While it remains unclear who, exactly, was the true 'originator' of the walking bass style, Page is nonetheless accepted as one of, if not the primary, proponent of the style.
[citation needed] When the bass is used to accompany, it may be used to perform walking basslines for traditional tunes and jazz standards, in smooth quarter note lines that imitate the sound of the double bass. The electric bass player can play all of the same types of bass lines played by her upright bass cousin.
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements.
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