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  2. Free indirect speech - Wikipedia

    en.wikipedia.org/wiki/Free_indirect_speech

    Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]

  3. List of narrative techniques - Wikipedia

    en.wikipedia.org/wiki/List_of_narrative_techniques

    The author uses narrative and stylistic devices to create the sense of an unedited interior monologue, characterized by leaps in syntax and punctuation that trace a character's fragmentary thoughts and sensory feelings. The outcome is a highly lucid perspective with a plot. Not to be confused with free writing. An example is Ulysses. At one ...

  4. Narration - Wikipedia

    en.wikipedia.org/wiki/Narration

    Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.

  5. Category:Third-person narrative novels - Wikipedia

    en.wikipedia.org/wiki/Category:Third-person...

    This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited

  6. Focalisation - Wikipedia

    en.wikipedia.org/wiki/Focalisation

    In narratology, focalisation is the perspective through which a narrative is presented. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing an omnisicent narrator. [2]

  7. Story within a story - Wikipedia

    en.wikipedia.org/wiki/Story_within_a_story

    An example of a "bonus material" style inner story is the chapter "The Town Ho's Story" in Herman Melville's novel Moby-Dick; that chapter tells a fully formed story of an exciting mutiny and contains many plot ideas that Melville had conceived during the early stages of writing Moby-Dick—ideas originally intended to be used later in the ...

  8. Unreliable narrator - Wikipedia

    en.wikipedia.org/wiki/Unreliable_narrator

    Attempts have been made at a classification of unreliable narrators. William Riggan analysed in a 1981 study four discernible types of unreliable narrators, focusing on the first-person narrator as this is the most common kind of unreliable narration. [6] Riggan provides the following definitions and examples to illustrate his classifications:

  9. Tritagonist - Wikipedia

    en.wikipedia.org/wiki/Tritagonist

    In literature, the tritagonist (from Ancient Greek τριταγωνιστής (tritagōnistḗs) 'third actor') or tertiary main character is the third most important character of a narrative, after the protagonist and deuteragonist. In ancient Greek drama, the tritagonist was the third member of the acting troupe.

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