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It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Locking is a style of funk dance. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and ...
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
The Finger, an extended middle finger with the back of the hand towards the recipient, is an obscene hand gesture used in much of Western culture. [17] Finger gun is a hand gesture in which the subject uses their hand to mimic a handgun. If pointed to oneself (with or without the "hammer falling" of the thumb indicating firing, or a small tilt ...
A joint lock is a grappling technique involving manipulation of an opponent's joints in such a way that the joints reach their maximal degree of motion and hyperextension.. In judō these are referred to as kansetsu-waza (関節技, "joint locking technique" [1]) and in Chinese martial arts as qin na, which literally means "catching and locking".
Qin Na (Chinese: 擒拿; pinyin: qínná; Wade–Giles: ch'in na) is the set of joint lock techniques used in the Chinese martial arts to control or lock an opponent's joints or muscles/tendons so they cannot move, thus neutralizing the opponent's fighting ability. [1]
Much of the dance is done as a walking movement, one step for each count of the music, while the arms and hands do most of the changing, most of these involving connecting with others' hands. Most contra dances consist of a sequence of about six to twelve individual figures, prompted by the caller in time to the music as the figures are danced ...