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Certain meters also have biceps positions where a pair of short syllables can optionally be replaced by a long one. The great majority (85-90%) of early classical Arabic poetry is composed in just four meters: the ṭawīl (which is the most common), the kāmil, the wāfir and the basīṭ. [3] Rhyme is an important part of classical Arabic ...
The basic principles of Arabic poetic metre are called ʿarūḍ (Arabic: العروض) or ʿilm al-shiʿr (Arabic: علم الشعر), meaning “science of poetry.” It was put forth by Al-Farahidi (718 - 786 CE), who did so after noticing that poems consisted of repeated syllables in each verse.
Poetry analysis was also employed in other forms of medieval Arabic poetry from the 9th century, notably, for the first time, by the Kufan grammarian Tha'lab (d. 904) in his collection of terms with examples Qawa'id al-shi'r (The Foundations of Poetry), [30] by Qudama ibn Ja'far in the Naqd al-shi'r (Poetic Criticism), by al-Jahiz in the al ...
Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or verbs. Objective correlative; Simile: a figure of speech that directly/explicitly compares two things.
Ṭawīl (Arabic: طويل, literally 'long'), or al-Ṭawīl (الطويل), is a meter used in classical Arabic poetry.. It comprises distichs (bayt) of two 'lines'—in Arabic usually written side by side, with a space dividing them, the first being called the sadr (صدر, literally "chest") and the other the ʿajuz (عجز, literally "belly").
The Arabic ghazal inherited the formal verse structure of the qaṣīda, specifically, a strict adherence to meter and the use of the qafiya, a common end rhyme on each couplet (called a bayt in Arabic and a sher in Persian). [4] The nature of the ghazals also changed to meet the demands of musical presentation, becoming briefer in length.
The kāmil metre has been used for Arabic poetry since early times and accounts for about 18%-20% of the poems in early collections. [1] Two of the famous seven pre-Islamic Mu‘allaqāt poems (the 4th and 6th) are written in the kāmil metre. [4] One of these is the mu‘allaqa of Labid ibn Rabi‘a, which begins as follows:
In some kinds of metre, such as the Greek iambic trimeter, two feet are combined into a larger unit called a metron (pl. metra) or dipody. The foot is a purely metrical unit; there is no inherent relation to a word or phrase as a unit of meaning or syntax, though the interplay between these is an aspect of the poet's skill and artistry.