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There were no pattern books and embroidery was worked entirely from the reverse of the fabric. The designs were not traced. Techniques and patterns were not documented but transmitted from word of mouth and each regional group was identified with the style of embroidery or design [ 12 ] The embroidery is done with floss silk thread.
Kashida is the local lingo for the embroidery. Kasidkari known as kashida - kari, [ 2 ] is the Punjabi and Hindi for needlework . [ 5 ] It is also known as kasidakari.
The Phulkari is the traditional Punjabi embroidery used to embroider shawls and head scarfs in the Punjab region. Although Phulkari means floral work, the designs include not only flowers but also cover motifs and geometrical shapes. [86] There is reference to Phulkari in ancient texts, folk legends, and literature of Punjab.
The phulkari is folk embroidery that was typically inclusive of work in floral patterns but has taken on a larger aspect of including geometrical shapes, symbols and motifs relevant to the culture. This pattern has been worn by women for hundreds of years in very vibrant colours. The pattern is typically stitched with woven silk and colourful ...
The technique of chikan embroidery is known as chikankari (चिकनकारी چکن کاری).Chikankari is a delicate and artfully done hand embroidery on a variety of textile fabrics like cotton, chanderi, muslin, georgette, viscose, silk, organza, net, etc. White thread is embroidered on cool, pastel shades of light muslin and cotton garments.
Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
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