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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
Mapiko masks are worn during the rites of passage of circumcised boys. [ 1 ] [ 2 ] These wooden masks have been carved by master craftsmen, [ 3 ] made of soft wood and sometimes feature human hair. They represent human heads and may feature labrets or scarifications.
In traditional African religions, masks play an important part in many ritual ceremonies. Credit: Ndoto ya Afrika For more about this picture, see Practices and rituals in traditional African religions , Traditional African masks , African art and African sculpture .
African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask. Humboldt State University: gallery of Chi Wara and other Bambara dancers.
The Woyo masks are crafted from gourds. [3] Then they are carved out of wood for use, and painted with contrasting colors. [4] The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [4] They are also decorated with sacred objects known as nkissi. [5]
N'tomo masks are used by the Bambara people of West Africa. There are six male initiation societies that young males must pass through before becoming a man. N'tomo Dyo is the first of these through which boys pass before their circumcision. [1] [2] The mask represents the legendary ancestor of the Bambara and it is a symbol of protection. [3]
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
In the Chokwe people of Central Africa, the chikunga is a sacred ceremonial mask. Of the many ceremonial masks, the chikunga is considered to be the most powerful, and it is only worn by the tribal chief. The chikunga mask is made by stretching barkcloth over an array of wicker bits. It then is painted black with red and white designs.
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