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Sound Blaster Pro 2.0 and later cards for PC (including Sound Blaster 16, AdLib Gold 1000 and AWE32) Silicon-gate CMOS chip [54] [33] [63] Yamaha YMF271 (a.k.a. OPX) 1993 36 18 4 12 additional PCM channels Yamaha YMF278 (a.k.a. OPL4) 1993 36 18 4 Moonsound cartridge for MSX computer [77] Yamaha YMF292 (a.k.a. SCSP) 1994 32 32 32
An intuitively understandable example for a polyphonic instrument is a (classical) piano, on which the player plays different melody lines with the left and the right hand - depending on music style and composition, these may be musically tightly interrelated or may even be totally unrelated to each other, like in parts of Jazz music.
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
Ultimately, the system was referred to as the Synclavier Digital Recording Tapeless Studio system among many professionals. It was a pioneering system in revolutionizing movie and television sound effects and Foley effects methods of design and production starting at Glen Glenn Sound.
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
Prince used a Polymoog at Sound 80 recording studio on demo tapes for his first album For You (1978), and the Polymoog became a notable sonic element of the Minneapolis sound. [15] The Polymoog proved popular with various progressive rock musicians. Keith Emerson added an early prototype Polymoog (at the time, known as the Apollo) to his stage rig.
The Novachord is the world's first commercial polyphonic synthesizer. [1] [2] [3] Incorporating many circuit and control elements found in modern synthesizers, and using subtractive synthesis to generate tones, it was designed by John M. Hanert, Laurens Hammond and C. N. Williams, and was manufactured by the Hammond company. [4]
Audiotool was created to make music production accessible and free for everyone. André Michelle's early work included pioneering an audio hack in 2005 for audio stream generation ahead of browser support, [2] and the emulation of the iconic Roland TR-909 in 2007. [3]