Search results
Results from the WOW.Com Content Network
The song's lyrics were written in late 1988 as a homage to author Doris Lessing and singer Patti Smith, who had inspired James' lead singer Tim Booth. [5] Booth told the Daily Record in June 2004: "Sit Down is about me feeling so alone in my 20s and reading books by a writer called Doris Lessing which made me realise I wasn't.
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. [1] The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a ...
[6] [7] In Canada, the song spent one week at No. 1. [8] The single version differs from the album version of the song with horn overdubs added to the mix and a longer bongos overdub before the third verse. A music video was made which showed various scenes of late 1960s political and cultural unrest and imagery of "love and peace". [9]
"James" is a song written and performed by Billy Joel from his fourth studio album Turnstiles (1976). It was released as the album's first single in July 1976, backed with " Travelin' Prayer ". [ 2 ] One Final serenade described the song as "a wistful song about growing up and trying to balance pursuing one's dreams while balancing family and ...
Dem Bones" (also called "Dry Bones" and "Dem Dry Bones") is a spiritual song. The melody was composed by author and songwriter James Weldon Johnson (1871–1938) and his brother, J. Rosamond Johnson. [1] It was first recorded by The Famous Myers Jubilee Singers in 1928. Both a long and a shortened version of the song are widely known.
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web. AOL.
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
The song is composed as a waltz, in 3/4 time. [11] The chorus echoes the lullaby sentiment, with a reference to "Rock-a-bye Baby". According to Allmusic critic Bill Janovitz, the two verses contrast the new baby James, as a lonely cowboy, in the first verse with the lonely grown-up James singing in the second verse. [11]