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In the countryside, Crescentii castles concentrated a cluster of population that depended on them for their defense and were dependable armed members of the Crescentii clientage. After Sergius IV's death (1012), the Crescentii simply installed their candidate, Gregory, in the Lateran, without the assent of the cardinals. A struggle flared ...
Orazio and Artemisia Gentileschi, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Scipione Pulzone (see index) Illustration of Scipione Pulzone's The Lamentation at the Metropolitan Museum of Art This article incorporates text available under the CC BY-SA 3.0 license.
Frontispiece of the De agricultura in the vernacular edition of Matteo Capcasa, printed in Venice in 1495.jpg Part of the Crescenzi calendar. Pietro de' Crescenzi (c. 1230/35 – c. 1320), Latin: 'Petrus de Crescentiis', was a Bolognese jurist, [1] now remembered for his writings on horticulture and agriculture, the Ruralia commoda. [2]
The Duchy of Gaeta (Latin: Ducatus Caietae) was an early medieval state centered on the coastal South Italian city of Gaeta. It began in the early ninth century as the local community began to grow autonomous as Byzantine power lagged in the Mediterranean and the peninsula due to Lombard and Saracen incursions.
Beaker with birds and animals, Thraco-Getic, 4th century BC, silver, height: 18.7 cm (7.4 in), Metropolitan Museum of Art Strabo stated in his Geographica (c. 7 BC – 20 AD) that the Dacians lived in the western parts of Dacia, "towards Germania and the sources of the Danube", while the Getae lived in the eastern parts, towards the Black Sea, both south and north of the Danube. [2]
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The lead section on individual works of art should give at least the following information (in roughly this order): Name(s)/title(s) of work, artist, date, type and materials, subject, nation or city of origin, present location. A reference to the style, school or movement it or the artist belongs to is usually appropriate.