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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
The 1897 series of color lithographs on paper featured 15 by 43 centimetres (5.9 in × 16.9 in) panels and is located at the Art Institute of Chicago. [ 12 ] The 1900 series also features color lithographs, this time sized 54.29 by 75.88 centimetres (21.37 in × 29.87 in). [ 13 ]
After seducing Art Nouveau enthusiasts at the beginning of the 20th century, it was rediscovered in the 1960s by Psychedelic enthusiasts, and is still used and adapted today in countless works and derivative products. This calendar was the subject of numerous poster prints in slightly different shades.
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
The salon was further decorated with carved moldings and stained glass, thin columents with vegetal designs, and a ceiling with molded floral and vegetal elements. It marked a summit of Art Nouveau decoration. [41] The Salon opened in 1901, just as tastes were beginning to change, moving away from Art Nouveau to more naturalistic patterns.
Liberty style (Italian: stile Liberty [ˈstiːle ˈliːberti]) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914.It was also sometimes known as stile floreale ("floral style"), arte nuova ("new art"), or stile moderno ("modern style" not to be confused with the Spanish variant of Art Nouveau which is Art Nouveau in Madrid).
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