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Coward spelled his first name with the diæresis ("I didn't put the dots over the 'e' in Noël. The language did. Otherwise it's not Noël but Nool!"). [150] The press and many book publishers failed to follow suit, and his name was printed as 'Noel' in The Times, The Observer and other contemporary newspapers and books. [n 12]
Screenplay by Coward. We Were Dancing, directed by Robert Z. Leonard, Metro-Goldwyn-Mayer (1942, based on the plays We Were Dancing, Ways and Means and Private Lives) This Happy Breed, directed by David Lean, Universal (UK, 1944, based on the play of the same name) (Coward was also a producer)
Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March , Gary Cooper , and Miriam Hopkins , the film is about a woman who cannot decide between two men who love her, and the trio agree to try ...
The competition is unique in that the Grand Prize-winning screenwriter will have their screenplay developed, financed […] ‘The Night’ Producer Mammoth Pictures Launches Screenplay ...
Cavalcade is a 1933 American epic pre-Code drama film directed by Frank Lloyd.The screenplay by Reginald Berkeley and Sonya Levien is based on the 1931 play of the same title by Noël Coward.
Coward and Lawrence at the end of Ways and Means. Ways and Means is a short comic play by Noël Coward, one of ten that make up Tonight at 8.30, a cycle written to be performed across three evenings. The story concerns an heiress and her gambling husband, who are plagued by debt and embarrassment as everything seems to always go wrong for them.
Elsewhere in the competition, Vanessa Magic won the Slamdance screenplay mentorship award in recognition of her series pilot script “I Want To Be Evil,” about a woman working a data entry job ...
Home Chat is a play by Noël Coward, written in 1927 and presented in London in the same year. It depicts the domestic affairs of a married couple and their family and friends, and revolves around an unjustified suspicion that the principal female character has committed adultery.