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Toph Beifong (Chinese: 北方拓芙; pinyin: Běifāng Tuòfú) is a fictional character in Nickelodeon's animated television series Avatar: The Last Airbender and The Legend of Korra, voiced by Michaela Jill Murphy in the original series and Kate Higgins as an adult and Philece Sampler as an elder in the sequel series.
She later appeared as a guest on the official companion podcast for the series, Avatar: Braving the Elements, hosted by Dante Basco and Janet Varney, where she would talk about Toph and what the character "meant to her," with Basco describing Murphy as a "dear friend" and praising Toph's character.
The episode contains the main characters as well as the Ember Island actors who play them in the play: Zach Tyler Eisen and Rachel Dratch play Avatar Aang and his actor counterpart respectively; Mae Whitman and Grey DeLisle play Katara and her counterpart respectively; Jack DeSena and Scott Menville play Sokka and his counterpart respectively; Jessie Flower and John DiMaggio play Toph Beifong ...
Related: Aang: The Last Airbender, the first animated movie in Avatar trilogy, will follow Aang as an adult Netflix also confirmed that season 2 has officially started filming, and Toph is a ...
Netflix’s live-action “Avatar: The Last Airbender” is back in production for Season 2, with the streamer revealing that Miya Cech has been cast as the fan-favorite character Toph. In a clip ...
Season 2 would follow Book 2 of the original Avatar: The Last Airbender animated series which mostly focuses on Aang trying to learn earthbending which causes him to go back to the Earth Kingdom ...
From left to right, Sokka, Mai, Katara, Suki, Momo, Zuko, Aang, Toph, and Iroh relaxing at the end of the series finale of Avatar: The Last Airbender. This is a list of significant characters from the Nickelodeon animated television series Avatar: The Last Airbender and its sequel The Legend of Korra, co-created by Bryan Konietzko and Michael Dante DiMartino, as well the live-action Avatar series.
The play turns out to be Fire Nation propaganda, and although the audience enjoys the play, Aang and his friends are embarrassed by the inaccurate and exaggerated portrayals of themselves (with the sole exception of Toph, who is amused by her depiction as a muscular man who employs a primitive form of sonar by yelling at everything). In context ...