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The Lover (French: L'Amant) is an autobiographical novel by Marguerite Duras, published in 1984 by Les Éditions de Minuit. It has been translated into 43 languages and was awarded the 1984 Prix Goncourt .
Duras was the author of many novels, plays, films, interviews, essays, and works of short fiction, including her best-selling, highly fictionalized autobiographical work L'Amant (1984), translated into English as The Lover, which describes her youthful affair with a Chinese-Vietnamese man.
Chauvin is a working-class man who is currently unemployed and whiles away his time in a café near the apartment where Anne Desbaresdes' child takes piano lessons with Madame Giraud. After the fatal shooting of a woman in the café by her lover, Anne and Chauvin imagine the relationship between the lovers and try to reason why it occurred.
The Lover (French: L'Amant) is a 1992 erotic romantic drama film produced by Claude Berri and directed by Jean-Jacques Annaud.Based on the semi-autobiographical 1984 novel of the same name by Marguerite Duras, the film details the illicit affair between a teenage French girl and a wealthy Chinese man in 1929 French Indochina.
The Lover, a 1962 play by Harold Pinter; The Lover (Duras novel), a 1984 novel by Marguerite Duras; The Lover (Kanafani novel), a 1987 collection of three unfinished novels by Ghassan Kanafani; The Lover (Wilson novel), a 2004 novel by Laura Wilson; The Lover (Yehoshua novel), a 1977 novel by A. B. Yehoshua
March played the female lead in the 1992 film The Lover, based on a semi-autobiographical novel by Marguerite Duras. [3] Two years after The Lover, she co-starred with Bruce Willis in the erotic thriller Color of Night (1994), directed by Richard Rush. Maxim magazine ranked her sex scene in the film as "the Best Sex Scene in film history". [4]
Pages in category "Novels by Marguerite Duras" The following 8 pages are in this category, out of 8 total. ... The Lover (Duras novel) M. The Malady of Death;
Duras later said that she felt that Brook had "made the film beautifully." [7] However, Belmondo, who preferred making adventure films, disliked the picture. In a 1964 interview, he said: It was very boring. Like Antonioni's films, Marguerite Duras' script was full of sous-entendus (hidden meanings).