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A standard Gibson logo was branded into the headstock in the deluxe model. In 1996, the model was resurrected with The Paul II, [3] with a mahogany body and carved top like a Les Paul Studio instead of the flat top of prior models of The Paul The body is 2/3 as thick as a normal Les Paul and features a rear belly cut as well. In 1998 The Paul ...
The Gibson Les Paul Special is a variation of the Gibson Les Paul guitar. It was introduced in 1955. [1] It is designed to be an intermediate level instrument, at a price point and trim level between the low-cost Les Paul Junior and the standard Les Paul.
The first model, simply called the "Gibson Les Paul", was released in 1952. This style has since been retroactively named "The Goldtop", as the model came only in one finish: an old gold solid paint, with two P-90 pickups and nickel plated hardware. In 1954, the Gibson Les Paul Custom was added to the model line. The Custom featured a solid ...
Laura Cox has used a Gibson Les Paul Classic and a Gibson Firebird Standard. [39] Sheryl Crow uses a Country Western model, Hummingbird, L-00 Blues King, J-200 Western Classic, 96 Advanced Jumbo, 96 Southern Jumbo, J45, ES-120, ES-125, ES-335 and various Les Pauls. Her original 1962 Country Western model was exactly measured and reproduced as ...
The Gibson Les Paul Studio is a solid body electric guitar produced by the Gibson Guitar Corporation since 1983. It is a model of Les Paul with some features omitted to appeal to musicians looking for the tonal qualities of the guitar but with less of an emphasis on cosmetics and to reduce the price of the instrument.
The 1952 Gibson Les Paul was originally made with a mahogany body, a mahogany neck with a rosewood fretboard, two P-90 single coil pickups, and a one-piece, 'trapeze'-style bridge/tailpiece with strings fitted under (instead of over) a steel stop-bar, [note 1] and available only with a gold-finished top, giving rise to the moniker "Gold-Top".
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The original Les Paul design returned to the Gibson catalog in 1968. Gibson's production mix in the 1960s had to respond to a changing buyer's market. In 1969, Gibson executive Julius Bellson noted that "Four years ago, electric guitars account for almost 70 per cent of our guitar sales. Today their sales are below 50 percent." [29]
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