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Hippolytus (Ancient Greek: Ἱππόλυτος, Hippolytos) is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus.The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy.
The story of the Hippolytus–Phaedra relationship is derived from one of several ancient Greek myths revolving around the archetypal Athenian hero, Theseus. The Greek playwright Euripides wrote two versions of the tragedy, the lost Hippolytus Veiled and the extant Hippolytus (428 B.C.E.). [3]
Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Herakles (Euripides) Hippolytus (play) Hippolytus Veiled; Hypsipyle (play) I.
Hippolytus, Phaedra and nurse, antique fresco in Herculaneum. Much of what we know about the mythology and story of Phaedra is from a collection of plays and poems. Many of these earlier sources such as Phaedra, a play by Sophocles, and Hippolytus Veiled, a play by Euripides, have been lost.
The Death of Hippolytus, by Sir Lawrence Alma-Tadema (1836–1912). In Greek mythology, Hippolytus (Ancient Greek: Ἱππόλυτος, romanized: Hippolutos, lit. 'unleasher of horses'; / h ɪ ˈ p ɒ l ɪ t ə s /) [1] is the son of Theseus and an Amazon, either Hippolyta or Antiope.
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most.
The Nurse tries skillfully to change the mind of Hippolytus, to make him consent to the delights of love and comforts of civilian life, but Hippolyte does not want to change his mind, and far prefers his inclinations to country life (2). Phaedra and her nurse use all kinds of tricks to attack the young man's modesty, but they can overcome it.
Barrett's edition of Euripides' tragedy Hippolytus appeared in 1964 and was recognised as one of the most important works on Greek tragedy. [2] It was a significant advance on its predecessors, being based on collations of ten of the sixteen mediaeval manuscripts, the other six having little independent value.