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Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. [2] There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevailed.
The following is a partial list of songs performed by Lead Belly. Lead Belly , born Huddie Ledbetter, was an American folk and blues musician active in the 1930s and 1940s. This list is incomplete ; you can help by adding missing items .
Harrison recorded "Kansas City" for the Harlem-based entrepreneur Bobby Robinson, who released it on his Fury record label. At the height of the song's success, Robinson was sued by Savoy Records who informed them that the release of the record in March 1959 [4] violated a contract Harrison had with that label that was to expire in August 1959 ...
Goin' to Kansas City is an album by American jazz trumpeter Buck Clayton with Tommy Gwaltney's Kansas City 9 featuring tracks recorded in late 1960 for the Riverside label. [ 1 ] [ 2 ] Reception
Goin' to Kansas City Blues is an album by vocalist Jimmy Witherspoon with pianist Jay McShann and His Band that was recorded in 1957 and released by the RCA Victor label. [ 1 ] Reception
The world’s most famous singer is going to be in Kansas City for quite some time and has been helping pick out items for Travis Kelce’s house. Taylor Swift reportedly planning extended stay in ...
The song's melody line was re-used and developed by Charlie Patton ("Going to Move to Alabama") and Hank Williams ("Move It on Over") before emerging in "Rock Around the Clock", and its lyrical content presaged Leiber and Stoller's "Kansas City". [3] The song contains the line "It takes a rocking chair to rock, a rubber ball to roll", which had ...
Clear influences of Kansas City Swing bands can be heard through the extensive use of trumpet and saxophone solos. [3] A "double" bass line, when the guitar and bass play in unison, was combined with a strong backbeat to make the music easy to dance to. [2]
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