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According to Lewis Foreman, it is "possibly the first full blown concerto for viola by a British composer". (York Bowen's Viola Concerto followed in 1907). There is a modern recording by Lawrence Power and the BBC Scottish Symphony Orchestra. [3] Chanson Celtique (1906) for viola and piano, also achieved some popularity and was later ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque , Classical , and Romantic eras, viola was viewed mostly as an ensemble instrument.
Viola Concerto, Duos, Hunting Quartet, Antoine Tamestit, Signum Quartet, Daniel Harding, Bavarian Radio Symphony Orchestra (Harmonia Mundi 2018) [108] [109] OCLC 1029675535 Arche, Marlis Petersen , Thomas E. Bauer [ de ] , Iveta Apkalna , Kent Nagano , Philharmonisches Staatsorchester Hamburg ( ECM 2018) OCLC 1082269254 DNB-IDN 1169313981
The composition takes around 16 minutes to perform and is in one movement. It is scored for a solo viola and a large orchestra, consisting of 3 flutes, 2 oboes, English horn, 4 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, vibraphone, glockenspiel, chimes, suspended cymbals, gongs, tamtams, 2 harps, piano, celesta, and a large section of strings.
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
Rhapsody for cello and piano, Op. 3; Variations on a Hungarian Folk Song for violin and piano, Op. 4; North Hungarian Peasant Songs and Dances for violin and piano, Op. 5; Violin Concerto for violin and piano, Op. 24; Piano Concerto for two pianos, Op. 31; Cello Concerto for cello and piano, Op. 32; Viola Concerto for viola and piano, Op. 37
Telemann's Concerto for Viola represents a major Baroque concerto, as he explored the soloistic sound of the instrument, allowing it to be viewed as more than just an ensemble instrument. [2] Unlike J.S. Bach and Vivaldi’s standard concerti of three movements, Telemann’s Concerto in G major for Viola contains four movements, and follows ...
Romance in D ♭ major for violin or viola and piano (1900, 1904) Sonata in B minor for violin and piano, Op. 7 (1902) Fantasia in F major for viola and organ (1903) Sonata No. 1 in C minor for viola and piano, Op. 18 (1905) Allegro de Concert in D minor for cello or viola and piano (1906) Sonata No. 2 in F major for viola and piano, Op. 22 (1906)