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What Doesn't Kill You is a 2008 American crime drama loosely based on the true life story of the film's director Brian Goodman, [1] detailing his own exploits involved with South Boston's Irish Mob. [2]
The Founder is a 2016 American biographical drama film directed by John Lee Hancock and written by Robert Siegel.Starring Michael Keaton as businessman Ray Kroc, the film depicts the story of his creation of the McDonald's fast-food restaurant chain, which eventually involved forcing out the company's original founders to take control with conniving ruthlessness.
Doug Liman, who said he rejected the title All You Need Is Kill because it "didn't feel like it was the tone of the movie I had made", wanted to rename the film Live Die Repeat, but Warner decided to use that just as the tagline. [26] The film was promoted at San Diego Comic-Con in July 2013, [53] and at WonderCon in Anaheim, California in ...
The real-life massacre took place at a McDonald's restaurant, while the massacre in the movie takes place at a nameless cafe. The actual massacre lasted for 77 minutes, while the massacre in the movie lasts for the final five minutes. Five children (under age 18) were killed in the actual massacre, while no children are seen in the movie. [4]
A mysterious "Man in White" is out to kill famous detectives in bizarre ways, and the heroes are obvious parodies of Kojak, Baretta, Starsky and Hutch, Ironside, Police Woman, Columbo, Mrs. Columbo, and McCloud. [1] The movie starts with the Man In White killing Lambretta, after which Lt. Nojack calls a meeting of all the best detectives in the ...
Things go completely off the rails as the show's largely inexperienced cast and crew, led by promising young producer Lorne Michaels (Gabriel LaBelle), race against the clock to put together a ...
O'Connor also praised the cast, writing that Cole, Malden, and Saint "contribute outstanding performances." [ 4 ] Howard Rosenberg of the Los Angeles Times lauded Fatal Vision for its "superb, meticulous storytelling that will have you on the edge of your seat, with Greene managing to convey the brutality of the crime in a surreal way without ...
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