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Twelve Days of Christmas. The Twelve Days of Christmas, also known as the Twelve Days of Christmastide, are the festive Christian season celebrating the Nativity. Christmas Day is the First Day. The Twelve Days are 25 December to 5 January, counting first and last. The Octave, or Eighth Day, is New Year's Day and the Feast of the Circumcision ...
In the Christian liturgical calendar, there are several different celebrations of the Feast of the Cross, all of which commemorate the cross used in the crucifixion of Jesus. Unlike Good Friday, which is dedicated to the passion of Christ and the crucifixion, these feast days celebrate the cross itself, as the sign of salvation.
t. e. The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, are a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the path ...
Saint Francis Receiving the Stigmata (Rubens) Saint Francis Receiving the Stigmata (van Eyck) Saint Luke Painting the Crucifixion. San Damiano cross. Santa Maria degli Angeli Crucifixion. Santa Maria Nuova Crucifixion. Schneeberg Altarpiece. Self-Portrait with the Yellow Christ. Seven Sacraments Altarpiece.
Gentile da Fabriano, c. 1400–1410. Stabat Mater (Latin for "the mother was standing") is a compositional form in the crucifixion of Jesus in art depicting the Virgin Mary under the cross during the crucifixion of Christ alongside John the apostle. Rood cross group, Church of St Mary, Gdansk. It is common in groups of sculpture on a rood ...
The Alexamenos graffito. The Alexamenos graffito (also known as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffito scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2] Often called the earliest depiction of Jesus, the ...
Type. Black chalk on cardboard. Dimensions. 28.9 cm × 18.9 cm (11.4 in × 7.4 in) Location. Isabella Stewart Gardner Museum, Boston. The Pietà for Vittoria Colonna is a black chalk drawing on cardboard (28.9×18.9 cm) attributed to Michelangelo Buonarroti, dated to about 1538–44 and kept at the Isabella Stewart Gardner Museum in Boston. [1]
Holy Face of Lucca. The Holy Face of Lucca (Italian: Volto Santo di Lucca) is an eight-foot-tall (2.4 m), ancient wooden carving of Jesus crucified in the cathedral of San Martino, Lucca, Italy. Medieval legends state that it was sculpted by Nicodemus who assisted St. Joseph of Arimathea in placing Christ in his tomb after the crucifixion.
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