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Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication. [1]
One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if composers are unaware of or indifferent to the idiomatic capabilities of different instruments, then ...
Studio de musique ancienne de Montréal: mostly music of the Renaissance and early baroque; Tafelmusik, Toronto: baroque orchestra and chamber choir; Theatre of Early Music (Daniel Taylor), Toronto: chamber choir; Victoria Baroque, Victoria: early music ensemble; Les Violons du Roy (Jonathan Cohen), Québec City: early music orchestra
In English early Baroque music, a broken consort is an ensemble featuring instruments from more than one family, for example a group featuring both string and wind instruments. A consort consisting entirely of instruments of the same family, on the other hand, was referred to as a "whole consort ", though this expression is not found until well ...
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.
Manfred Bukofzer, Music in the Baroque Era. New York, W.W. Norton & Co., 1947. ISBN 0-393-09745-5. Ursula Kirkendale, "The Source for Bach's Musical Offering," Journal of the American Musicological Society 33 (1980), 99–141. The New Harvard Dictionary of Music, ed. Don Randel. Cambridge, Massachusetts, Harvard University Press, 1986.
Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian concerto which means "playing together"—hence concertato means "in the style of a concerto."
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