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Marcelled hair was a popular style for women's hair in the 1920s, [2] often in conjunction with a bob cut. [2] For those women who had longer hair, it was common to tie the hair at the nape of the neck and pin it above the ear with a stylish hair pin or flower. One famous wearer was Josephine Baker. [3]
It became popular during the 1920s because it was ideal to showcase the shape of cloche hats. [1] It was worn by Josephine Baker , among others. [ 1 ] The name derives from its similarity to a hairstyle allegedly popular with schoolboys at Eton .
During the late 1920s, double-breasted vests, often worn with a single-breasted jacket, also became quite fashionable. During the 1920s, men had a variety of sport clothes available to them, including sweaters and short trousers (commonly known in American English as knickers). For formal occasions in the daytime, a morning suit was usually worn.
Click through our collection of the best short hairstyles for women over 50 to find variations on shoulder-length cuts, bobs, ... 1920s-Inspired Bob. Now, this is glamour. Iman's sleek bob ...
A finger wave is a method of setting hair into waves (curls) that was popular in the 1920s and early 1930s and again in the late 1990s in North America and Europe. Silver screen actresses such as Josephine Baker and Esther Phillips are credited with the original popularity of finger waves.
Before the 1920s, short hair on women was not entirely uncommon but was often associated with the Coney Island chorus girls. In the 1910s, Irene Castle was the first to bring short hair on women into the mainstream. Women wore longer styles in the 1930s and 1940s save for the early 1930s (as a continuation from the 1920s) but the bob became ...
Both men and women sported the infamous pompadour during the '40s. Men were also partial to quiffed hair or short curls and were also prone to just slicking their hair back. Wikipedia / Warner Bros.
Audrey Hepburn with style-setting "gamine" haircut in Roman Holiday (1953) Marilyn Monroe, 1954. The "Audrey Hepburn look”, associated since the 1950s with the Anglo-Belgian film actress, owed itself principally to the intrinsic chic of Hepburn herself (a factor identified by Edith Head [3]) and the designs of French couturier Hubert de Givenchy.