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Minimal music (also called minimalism) [2] [3] is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses , steady drones , consonant harmony , and reiteration of musical phrases or smaller units.
Tony Smith, Free Ride, 1962, 6'8 × 6'8 × 6'8, Museum of Modern Art (New York City). Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism ; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [ 1 ]
Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice. Like Fluxus, Postminimalism is more of an artistic tendency than a particular style, but in general, postminimalist artworks often use everyday objects, simple materials, and sometimes take on a pure formalist aesthetics or post-conceptual approaches.
Harley Gaber (June 5, 1943 – June 16, 2011) was a visual artist and composer known for his minimalist and spectral approaches to time and sound. With his emphasis on quiet sustained sonorities and textures, Gaber is counted among the early American minimalist composers, and considered to be a forerunner of drone and spectralism. [1]
Drone music, [2] [3] drone-based music, [4] or simply drone, is a minimalist [5] genre of music that emphasizes the use of sustained sounds, [6] notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations.
Holy minimalism, mystic minimalism, spiritual minimalism, or sacred minimalism are terms, sometimes pejorative, [1] used to describe the musical works of a number of late-twentieth-century composers of Western classical music. The compositions are distinguished by a minimalist compositional aesthetic and a distinctly religious or mystical ...
Other composers whose works have been described as precedents to minimalism include: Jakob van Domselaer, whose early-20th century experiments in translating the theories of Piet Mondrian's De Stijl movement into music represent an early precedent to minimalist music.