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All fourths tuning – B'-E-A-d-g-c'-f' Expands the major third between the second and third strings, extending range a half step higher. Russian Tuning – D-G-B-D-g-b-d 6-string Open G tuning with additional 5th B-string. Was a standard tuning for classic 7-string guitars in Russia in the 19th to 20th centuries.
C-sharp major, the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor , and to some extent, with the keys of G-flat major and F-sharp minor ).
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The open D tuning (D–A–D–F ♯ –A–D), also called "Vestapol" tuning, [29] is a common open tuning used by European and American/Western guitarists working with alternative tunings. The Allman Brothers Band instrumental " Little Martha " used an open D tuning raised one half step, giving an open E♭ tuning with the same intervallic ...
Major thirds, for instance, receive the rather unstable interval of 81:64, sharp of the preferred 5:4 by an 81:80 ratio. [9] The primary reason for its use is that it is extremely easy to tune, as its building block, the perfect fifth, is the simplest and consequently the most consonant interval after the octave and unison.
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
Some keys (such as C ♯ major with seven sharps) may be written as an enharmonically equivalent key (D ♭ major with five flats in this case). In rare cases, the sharp keys may be extended further, G ♯ → D ♯ → A ♯ → E ♯ → B ♯ → F → C, requiring double sharps in the key signature: F, C, G, D, A, E, B.
A written C, top, on a B ♭ clarinet sounds a concert B ♭, bottom.. Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. . Concert pitch may vary from ensemble to ensemble, and has varied widely over