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The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for the formation of a strong morality ...
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
The Hellenistic period saw the Greek alphabet spread into southern Gaul from Massalia (3rd and 2nd centuries BC) and according to Strabo, Massalia was also a center of education, where Celts went to learn Greek. [53] A staunch ally of Rome, Massalia retained its independence until it sided with Pompey in 49 BC and was then taken by Caesar's forces.
The Boxer at Rest, also known as the Terme Boxer, Seated Boxer, Defeated Boxer, or Boxer of the Quirinal, is a bronze sculpture, a Hellenistic Greek original, [1] of a sitting nude boxer at rest, still wearing his himantes (Ancient Greek: ἱμάντες, romanized: himántes, plural of ἱμάς, himás, 'a leathern strap or thong' [2]), a type of leather hand-wrap.
The Venus de Milo or Aphrodite of Melos [b] is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC.
The Winged Victory of Samothrace, or the Niké of Samothrace, [2] is a votive monument originally discovered on the island of Samothrace, north of the Aegean Sea.It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC (190 BC).
The Greek original sculpture is long lost, but two Roman copies survive, one in the Capitoline Museum in Rome and the other in the Glyptothek in Munich. Scholarship considers the Old Drunkard to be a votive offering for the god Dionysus , whose attributes include both the wine jar and also the ivy.
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