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Powell and Pressburger also co-produced a few films by other directors under The Archers' banner: The Silver Fleet (1943), written and directed by Vernon Sewell and Gordon Wellesley, based on a story by Pressburger, [7] and The End of the River (1947), directed by Derek N. Twist, to which both Powell and Pressburger contributed uncredited ...
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger.Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going!
This category contains films which were either written, produced and/or directed by the British-based film-makers Powell & Pressburger, usually together but also to cover their solo work. As such, it should not be moved to anything like Films directed by Powell and Pressburger or it won't cover many of the films listed. Because they were such a ...
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin ...
Powell later wrote he felt “the blood coursing through his veins again.” At the same time, Scorsese kept sending Schoonmaker home with VHS tapes of the films. He indoctrinated others, too, like Francis Ford Coppola and Robert De Niro. The Powell and Pressburger legacy began to be revived. And a mutual filmmaking friendship blossomed.
The BFI has set a major U.K.-wide film celebration of one of the greatest and most enduring filmmaking partnerships in the history of cinema: Michael Powell (1905-1990) and Emeric Pressburger ...
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Made in England: The Films of Powell and Pressburger is a 2024 British documentary film directed by David Hinton. Martin Scorsese narrates the film, as he reflects on the influence of filmmakers Michael Powell and Emeric Pressburger, whose decades-long collaboration led to a series of classics that made the duo a crucial part of British cinema.