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The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1528, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Young Hare (German: Feldhase) is a 1502 watercolour and bodycolour painting by German artist Albrecht Dürer.Painted in 1502 in his workshop, it is acknowledged as a masterpiece of observational art alongside his Great Piece of Turf from the following year.
The last column gives the number of the catalogue raisonné of Dürer's paintings, which Fedja Anzelewsky, lifelong affiliated with the Kupferstichkabinett Berlin, compiled and published in 1971, and revised 20 years later. The legend for the four different capitals following the chronological numbering is as follows:
Madonna of the Animals (c. 1503) by Albrecht Dürer. The Madonna of the Animals is a drawing on card by the artist Albrecht Dürer, from c. 1503. It measures 32 by 24 cm. Some areas of the drawing also feature watercolour. It is now held in the prints and drawings collection of the Albertina in Vienna.
[3] [6] Both believe Dürer produced the drawing as a study for his 1506 watercolor, The Virgin with a Multitude of Animals. [6] Fritz Koreny, a former curator at the Albertina and a current researcher at the Institute for Art History at the University of Vienna, attributes the drawing to Hans Baldung. [1] Baldung was a student of Dürer.
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Erwin Panofsky argued that the animals embody the balance of bodily fluids believed to determine personality, called humors, and were associated with particular traits, for example, elk (melancholy), rabbit (sensuality), cat (cruelty), and ox (sluggishness). Praising Dürer's couple, contemporary poet Caspar Velius wrote, "When the Angel saw ...
Place of creation: Nuremberg : Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 97 (Grav.Cuivre) Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 94
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