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American costume was influential among dress reformers for the extent to which it challenged conventions of feminine dress: it was the most masculine in appearance of all the dress reform era designs. [7] Seventh-day Adventist writer and health reformer Ellen G. White used purchased patterns from Our Home to develop her own reform dress. [11]
Janet Arnold (6 October 1932 – 2 November 1998) was a British clothing historian, costume designer, teacher, conservator, and author.She is best known for her series of works called Patterns of Fashion, which included accurate scale sewing patterns, used by museums and theatres alike.
Zelda Wynn Valdes was known to consistently contribute to social work and community building. Beginning in the 1960s. She directed the Fashion and Design Workshop of the Harlem Youth Opportunities Unlimited and Associated Community Teams (HARYOU-ACT). Valdes taught costume designing skills and facilitated fabric donations to the student ...
From a chic little devil to a farmer chick, save time and money with these quick and easy costume ideas. Shop these simple but cool costumes in the gallery below! More on AOL.com
Costume technician Constructs and patterns the costumes for the play or performance. [8] Wardrobe supervisor Oversees the wardrobe crew and run of the show from backstage. They are responsible for maintaining the good condition of the costumes. [12] Milliner Also known as a hatmaker, responsible for the manufacturing of hats and headwear. [13]
By now, fashion has come to understand that the consumer wants what she wants. And right now, the consumer wants what Hollywood is having. Even more specifically, they’re burning for ...
Edith Claire Head (née Posenor, [1] October 28, 1897 – October 24, 1981) was an American film costume designer who won a record eight Academy Awards for Best Costume Design [3] between 1949 and 1973, making her the most awarded woman in the Academy's history. Head is considered to be one of the greatest and most influential costume designers ...
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
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