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The album was promoted by the single "Pro-test" and by a world tour. The Greater Wrong of the Right received mostly positive reviews from critics, who complimented its style and production. The album reached number 176 on the Billboard 200, and appeared on several other charts.
Frances Litman of the Times Colonist panned the album, apologizing to Skinny Puppy fans before saying "how this noise can be classified as music is beyond me". [ 26 ] In 1987, Melody Maker named the album the 11th best album of the year, describing the album as a "desolate, crackling chunk of rust encrusted machinery tacked with bolts ...
The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
Too Dark Park is the sixth studio album by the industrial music group Skinny Puppy. [2] The album cover features the debut appearance of the band's "SP" logo. The cover art was created by Vancouver based artist Jim Cummins. [3] The artwork for this album and its associated singles was inspired by cosmic horror stories such as the Cthulhu Mythos ...
Cleanse Fold and Manipulate is the third studio album by Canadian electro-industrial group Skinny Puppy. The album was released in 1987 and was supported by a single, " Addiction ". [ 2 ] The album was further supported by the Head Trauma tour, which spanned across North America and Europe .
Ain't it Dead Yet? is a recording of Canadian electronic group Skinny Puppy's performance at the Toronto Concert Hall on May 31, 1987, during their Cleanse Fold and Manipulate Tour. It was released as an album in 1989. [2] The film was showcased at the South by Southwest festival on March 18, 1989. [3]
Yet the label hired the esteemed pin-up photographer Peter Gowland, who died in 2010, to shoot the Blue Album’s cover: Cuomo, Sharp, Bell and Wilson standing against a blue background. Bell: We ...
Mythmaker marks the third occasion on which a Skinny Puppy album cover was created by an artist other than long-time collaborator Steven R. Gilmore, though he continues to do the sleeve design and layout for the band. [3] The cover uses a painting by Manuel Ocampo entitled "Why I Hate Europeans", which had been altered for the cover. [3]