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Art & Language (group) "Air-Conditioning Show " or "Air Show" 1967: An empty room with two air conditioning units; the artwork is "what is felt and said about it", and not anything tangible. [3] James Lee Byars "The Ghost of James Lee Byars" 1969: The artwork itself is the emptiness and darkness of a pitch-black room. [4] [5] Robert Barry ...
Working in collaboration with artist Tavares Strachan, who began his Encyclopedia of Invisibility (2014–present) to document information that has been deemed hidden or erased from history, the Wikipedia x Encyclopedia of Invisibility initiative seeks to expand articles about individuals who have been underrepresented or forgotten on Wikipedia ...
The Art of Deception is a book by Kevin Mitnick that covers the art of social engineering. [1] [2] Part of the book is composed of real stories and examples of how social engineering can be combined with hacking. All, or nearly all, of the examples, are fictional but quite plausible.
Esperanza Cortés (born 1957) is a Colombian-born American visual artist who lives and works in New York City. Her paintings, sculptures and installations explore the themes of social injustice and cultural invisibility.
In her work, she investigates invisibility, the everyday, solidity and immateriality. [5] According to Janet Bishop, a curator at the San Francisco Museum of Modern Art, Castrillo Diaz saw a 2000 SFMOMA retrospective of the art of Sol LeWitt, which had an impact on her work: for example, her large ephemeral drawings using Scotch tape. [6]
Islamic Art: Mirror of the Invisible World shows audiences nine countries (Egypt, Israel, Syria, Tunisia, Turkey, Iran, Spain, [8] Mali and India) and over 1,400 years of history. It presents the stories behind many well-known works of Islamic Art and Architecture.
It is used as a cloak of invisibility by Alberich in Das Rheingold. It also allows one to change one's form: Alberich changes to a dragon and then a toad in Das Rheingold, Scene 3. Fafner changes to a dragon after the end of Das Rheingold and appears thus in Siegfried Act II. (It is never made clear whether Fafner actually used the Tarnhelm to ...
A set of Daoist texts, produced after the Tang dynasty, associates the goddess with magical capabilities, such as the skill of invisibility (隱身) and the method of mobilizing the stars of the Northern Dipper to protect the state. [10] The Lingbao Liuding Mifa (靈寶六丁秘法 [f]) specifies that Jiutian Xuannü's magic is martial in ...