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"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
Each stanza ends with a refrain of 2 lines which are repeated: "Und bis wir uns wieder sehen, halte Gott dich fest in seiner Hand" (And until we see each other again, may God hold you tight in his hand). [3] [4] The melody is not inspired by Irish models but Pytlik's invention. [1] Set in F major and common time, it features many lively eighth ...
The song title was disambiguated to its first line, "Danke für diesen guten Morgen" (Thanks for this good morning). The song has been included in the hymnal Evangelisches Gesangbuch . It has been called the best-known German sacred song .
Freude des Himmels und Ruhe des Haines Atmet die Seel' im errötenden Schein. Ach, es entschwindet mit tauigem Flügel Mir auf den wiegenden Wellen die Zeit. Morgen entschwindet mit schimmerndem Flügel Wieder wie gestern und heute die Zeit, Bis ich auf höherem, strahlenden Flügel Selber entschwinde der wechselnden Zeit.
It was not until 2001 that Das alte Haus was released on the comprehensive compilation Stationen: Von heute bis morgen released in 2001. Further successes came to York in the German Airplay charts from 1976 with Gib dem Glück eine Chance (1976), Ein Mann wie du (1977) and Ein Lied für Maria (1978) as well as the two top 10 hits Ein Adler kann ...
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
The libretto may indeed be a contemporary comedy of manners, but the music is complex, the angular vocal-lines and large orchestra creating a frightening whirlwind of fury. Schoenberg wrote: "I have proved in my operas Von heute auf morgen and Moses und Aron that every expression and characterization can be produced with the style of free ...
Gejagt bis zum Morgen is an East German film. It was released in 1957. External links. Gejagt bis zum Morgen at IMDb