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"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
German verbs may be classified as either weak, with a dental consonant inflection, or strong, showing a vowel gradation ().Both of these are regular systems. Most verbs of both types are regular, though various subgroups and anomalies do arise; however, textbooks for learners often class all strong verbs as irregular.
Bis in die Spitzen; Blam! (TV series) Blankenese (TV series) Blaubär und Blöd; Blaulicht (TV series) Bloch (TV series) Bolzplatz-Duell; Bon Courage; Böse Mädchen; Bronski und Bernstein; Broti & Pacek – Irgendwas ist immer; Der Bulle von Tölz; Büro, Büro; Butler Parker (TV series)
And Tomorrow the Entire World (German: Und morgen die ganze Welt) [1] is a 2020 German-French political drama film directed by Julia von Heinz. [2] It premiered in competition at the 77th Venice International Film Festival. [3] [4] It was selected as the German entry for the Best International Feature Film at the 93rd Academy Awards, but it was ...
Sign greeting visitors to Nordhastedt, Schleswig-Holstein.. Moin, moi or mojn is a Low German, Frisian, High German (moin [moin] or Moin, [Moin]), [1] Danish (mojn) [2] (mòjn) greeting from East Frisia, Northern Germany, the eastern and northern Netherlands, Southern Jutland in Denmark and parts of Kashubia in northern Poland.
The song title was disambiguated to its first line, "Danke für diesen guten Morgen" (Thanks for this good morning). The song has been included in the hymnal Evangelisches Gesangbuch . It has been called the best-known German sacred song .
Von morgens bis mitternachts is an expressionist play written by the German dramatist Georg Kaiser in 1912. The play was banned by German censors for unclear reasons; contemporary accounts stated that the play was neither immoral nor anarchistic. [1] In 1917 the play was produced by the Austrian theatre director Max Reinhardt.
The IANA time zone database contains two zones for Germany, "Europe/Berlin" and "Europe/Busingen", although in 1945, the Trizone did not follow Berlin's switch to midsummer time.