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Francisco Goya was a talented Spanish painter and printmaker, and is considered one of the last of the Old Masters of painting, as well as the first of the moderns. He began his apprenticeship in painting at the age of 14, and his talent was quickly recognized.
Francisco Goya: List of works - All Artworks by Date 1→10.
‘Saturn Devouring One of His Sons’ was created in 1823 by Francisco Goya in Romanticism style. Find more prominent pieces of mythological painting at Wikiart.org – best visual art database.
‘The Third of May 1808 (Execution of the Defenders of Madrid)’ was created in 1814 by Francisco Goya in Romanticism style. Find more prominent pieces of history painting at Wikiart.org – best visual art database.
Charles IV of Spain and His Family is an oil on canvas painting by the Spanish artist Francisco Goya who began work on this painting in 1800 and completed it in the summer of 1801. It features life sized depictions of Charles IV of Spain and his family, ostentatiously dressed in fine costume and jewelry.
‘The Colossus’ was created in 1812 by Francisco Goya in Romanticism style. Find more prominent pieces of mythological painting at Wikiart.org – best visual art database.
The Dog is the name usually given to a painting by Spanish artist Francisco Goya, now in the Museo del Prado, Madrid. It shows the head of a small dog gazing upwards.
The Madhouse (Casa de locos) or Asylum (Manicomio) is an oil-on-panel painting by Francisco de Goya. He produced it between 1812 and 1819. It shows a mental asylum, with its inhabitants in many different poses.
The Parasol (also known as El Quitasol) is one of a cartoon series of oil on linen paintings made by the painter Francisco Goya. This series of paintings was specifically made in order to be transformed into tapestries that would be hung on the walls of the Royal Palace of El Pardo in Madrid, Spain.
One of these paintings, known as Witches' Sabbath or The Great He-Goat, depicts a dark silhouette of the devil in the form of a goat, preaching to a group of women who are likely witches. Goya's use of rough and clumsy brushwork enhances the picture's raw and abject quality, with a cluster of ghastly characters huddled together.