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A man recording a voice-over. Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non- diegetic) accompanies the pictured or on-site presentation of events. [1]
First-person narrative. For perspective in videography or video games, see Point-of-view shot, First-person (video games), and First-person shooter. A first-person narrative (also known as a first-person perspective, voice, point of view, etc.) is a mode of storytelling in which a storyteller recounts events from that storyteller's own personal ...
Stream of consciousness is a literary method of representing the flow of a character's thoughts and sense impressions "usually in an unpunctuated or disjointed form of interior monologue." While many sources use the terms stream of consciousness and interior monologue as synonyms, the Oxford Dictionary of Literary Termssuggests that "they can ...
Paralanguage. Paralanguage, also known as vocalics, is a component of meta-communication that may modify meaning, give nuanced meaning, or convey emotion, by using techniques such as prosody, pitch, volume, intonation, etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or ...
Narratology, as defined by Shlomith Rimmon-Kenan, is a branch of narrative theory. The concept of narratology was developed mainly in France during the sixties and seventies. [ 22 ] Theorists have argued for a long time about the form and context of narratology. [ 5 ]
Nonverbal communication. Appearance. Understanding each other through hand and eye expression; seen in a street near the bell tower of Xi'an, China. Nonverbal communication is the transmission of messages or signals through a nonverbal platform such as eye contact (oculesics), body language (kinesics), social distance (proxemics), touch ...
The psychology of film is a sub-field of the psychology of art that studies the characteristics of film and its production in relation to perception, cognition, narrative understanding, and emotion. [1] A growing number of psychological scientists and brain scientists have begun conducting empirical studies that describe the cognitive and ...
Narrative psychology is a perspective in psychology concerned with the "storied nature of human conduct", [1] that is, how human beings deal with experience by observing stories and listening to the stories of others. Operating under the assumption that human activity and experience are filled with "meaning" and stories, rather than lawful ...