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Aesthetic Theory: Essential Texts is an anthology of the most important texts written on aesthetics and beauty since Plato till nowadays. It is edited by the theorist Mark Foster Gage who is tenured associate professor at the Yale University. The book is made up of twenty chapters each about an influential figure in the field of aesthetics.
New adult fiction; Young adult; Battle royal; Classic (or literary fiction): works with artistic/literary merit that are typically character-driven rather than plot-driven, following a character's inner story. They often include political criticism, social commentary, and reflections on humanity. [1]
The Concept of the Aesthetic; Aesthetics entry in the Routledge Encyclopedia of Philosophy; Philosophy of Aesthetics entry in the Philosophy Archive; Washington State Board for Community & Technical Colleges: Introduction to Aesthetics; Art Perception Complete pdf version of art historian David Cycleback's
Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. [1] In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed ...
As aesthetic movement decor was similar to the corresponding writing style in that it was about sensuality and nature, nature themes often appear on the furniture. A typical aesthetic feature is the gilded carved flower, or the stylized peacock feather. Colored paintings of birds or flowers are often seen.
A further common substance to all works of art is related to the idea of means and ends. In aesthetic works and aesthetic experience, means and ends coalesce. Means are ends in the aesthetic. The non-aesthetic has a clear separation of means and ends: means are merely means, mechanical steps used solely to achieve the desired end. Dewey uses ...
The primary purpose of this text is to refine the literary concept dhvani or poetic suggestion, by arguing for the existence of rasa-dhvani, primarily in forms of Sanskrit including a word, sentence or whole work "suggests" a real-world emotional state or bhāva, but thanks to aesthetic distance, the sensitive spectator relishes the rasa, the ...
Typically, the influence was felt as an interest in pleasure, an interest in experimental sexuality, and a fascination with the bizarre, all packaged with a somewhat transgressive spirit and an aesthetic that values material excess. [6] Many were also influenced by the Decadent movement's aesthetic emphasis on art for its own sake. [7]