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In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.
Passacaglia – Musical form similar to a chaconne, consisting of variations over a ground bass. Passion – Musical setting of the Passion of Christ. Pastorale – Musical form depicting pastoral scenes, often characterized by a gentle, lyrical melody. Prelude – Short, improvisatory-style piece, often serving as an introduction to a longer ...
The term is most widely used [4] as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. [5] If the exposition starts in a minor key, it typically modulates to the relative ...
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
Download as PDF; Printable version; ... Compositions by musical form (46 C, 1 P) C. Cycles (music) (3 C, 10 P) F. Formal sections in music analysis (4 C, 46 P) J ...
Jonathan Mark Dunsby [1] FRSA (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his research in musical analysis. His introductory textbook, Music Analysis in Theory and Practice (1988), co-authored with Arnold Whittall, is a standard work in the field.
In classical music, the combination of prelude and fugue is one with a long history. Many composers have written works of this kind. Many composers have written works of this kind. The use of this format is generally inspired by Johann Sebastian Bach 's two books of preludes and fugues — The Well-Tempered Clavier — completed in 1722 and ...