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In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.
Neuroscientist Ani Patel proposes beat induction—referring to it as "beat-based rhythm processing"—as a key area in music-language research, suggesting beat induction "a fundamental aspect of music cognition that is not a byproduct of cognitive mechanisms that also serve other, more clearly adaptive, domains (e.g., auditory scene analysis ...
Passacaglia – Musical form similar to a chaconne, consisting of variations over a ground bass. Passion – Musical setting of the Passion of Christ. Pastorale – Musical form depicting pastoral scenes, often characterized by a gentle, lyrical melody. Prelude – Short, improvisatory-style piece, often serving as an introduction to a longer ...
The term is most widely used [4] as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. [5] If the exposition starts in a minor key, it typically modulates to the relative ...
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]
In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Download as PDF; Printable version; ... Compositions by musical form (46 C, 1 P) C. Cycles (music) (3 C, 10 P) F. Formal sections in music analysis (4 C, 46 P) J ...