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Biomusicology is the study of music from a biological point of view. The term was coined by Nils L. Wallin in 1991 to encompass several branches of music psychology and musicology, including evolutionary musicology, neuromusicology, and comparative musicology.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Neuroscientist Ani Patel proposes beat induction—referring to it as "beat-based rhythm processing"—as a key area in music-language research, suggesting beat induction "a fundamental aspect of music cognition that is not a byproduct of cognitive mechanisms that also serve other, more clearly adaptive, domains (e.g., auditory scene analysis ...
Musical analysis is the study of musical structure in either compositions or performances. [1] According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2] The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to ...
The term is most widely used [4] as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. [5] If the exposition starts in a minor key, it typically modulates to the relative ...
Variation (music) (1 C, 9 P) Pages in category "Musical forms" The following 33 pages are in this category, out of 33 total. This list may not reflect recent changes. ...
Music based on a single theme is called monothematic, while music based on several themes is called polythematic. Most fugues are monothematic and most pieces in sonata form are polythematic. [8] In the exposition of a fugue, the principal theme (usually called the subject) is announced successively in each voice – sometimes in a transposed form.
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