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The Color of Money is a 1986 American sports drama film directed by Martin Scorsese. It is the sequel to the 1961 film The Hustler. Like the previous film, The Color of Money is based on the 1984 novel by Walter Tevis. The film stars Paul Newman reprising his role as "Fast Eddie" Felson, for which he won the Academy Award for Best Actor.
Forest Whitaker in 2014. Forest Whitaker is an American actor, producer and director.. Whitaker started his career in early roles in films such as Fast Times at Ridgemont High (1982), Vision Quest (1985), The Color of Money (1986), Platoon (1986), Good Morning, Vietnam (1987) before his leading role in Clint Eastwood's Bird (1988).
1986 The Color of Money: Yes No No [10] 1988 The Last Temptation of Christ: Yes No No [11] 1990 Goodfellas: Yes Yes No Co-written with Nicholas Pileggi: 1991 Cape Fear: Yes No No [12] 1993 The Age of Innocence: Yes Yes No Co-written with Jay Cocks: 1995 Casino: Yes Yes No Co-written with Nicholas Pileggi 1997 Kundun: Yes No No [13] 1999 ...
Color of money or colour of money may refer to: . Color of money, a term used in government procurement; The Color of Money, a 1984 novel by Walter Tevis . The Color of Money, a 1986 drama film directed by Martin Scorsese and featuring Paul Newman and Tom Cruise, loosely adapted from the novel
The song was specially written as part of the film soundtrack for the movie The Color of Money, which was directed by Martin Scorsese and starred Paul Newman and Tom Cruise as pool sharks. The recording first appeared as part of the film soundtrack, before it was released as a single or on Eric Clapton's 1986 studio album release.
In April 1986, Touchstone films were licensed to Showtime/The Movie Channel for five years, starting in 1987. [13] Touchstone Films was renamed Touchstone Pictures after the release of Ruthless People in 1986. With Touchstone films, Disney moved to the top of box office receipts, beating out all the other major film studios by 1988. [10]
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Publishers Weekly called the book "taut and evocative", and the Chicago Tribune said that "Tevis has added some of the glamor, but the grit remains." [2]The Washington Post called the novel a "very fine book", and said that from the beginning, "the staccato beat of the prose and finely drawn characters grab the reader and don't let go".
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